30 June, 2008

143rd YEAR - THE AMERICAN NEWSPAPER WRITTEN IN THE GERMAN LANGUAGE

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Cyrano at Michigan Opera Theatre a Masterpiece

Detroit ­ There certainly has been Cyrano Fever" going on in the operatic world ever since the announcement that David DiChiera, General Director of Michigan Opera Theatre, had written an opera based on the French play Cyrano de Bergerac, which would be performed at his own theatre from October 13 - 28, 2007. Everyone was wondering what this opera would be like.

Cyrano" by David DiChiera was a triumph, as was attested to by the long and enthusiastic standing ovation it was given at the conclusion of the opera.

Not that it didn't have its kinks. The first act, in particular, needs some tightening. The opera, at approximately three and a half hours including two intermissions, is definitely on the long side. But, in spite of this, the work has enough genius and inspiration to merit being called, and becoming, the operatic Cyrano" of choice. The other Cyrano," by Franco Alfano (composer of the last segment of Puccini's Turandot"), though a worthy effort, lacks the sweeping harmonic and melodic structure and the panache of DiChiera's.

Largely without stand-alone arias, in a subtle, almost hypnotic way, this work gradually draws the audience into a deep emotional involvement in the story. This effect owes much to the skill of orchestrator and masterful conductor, Mark D. Flint, who, in our opinion, merits listing as co-composer. The librettist, Bernard Uzan, who manages to keep the flavor of Cyrano's original eloquence and beauty in Rostand's play, also deserves high praise.

As we know, Cyrano is a man with an uncommonly large nose, which he believes makes him ugly and unappealing to all women, especially to Roxane, the woman he secretly adores. When she confesses to him that she is in love with the very good-looking Christian, a member of his regiment, he is crushed but pledges to befriend and protect him. Later, Christian, who loves Roxane but is inept at expressing his love, tells Cyrano he does not have the words he needs to woo her. In this very moving scene, Cyrano offers to be the writer of his letters: I shall be your soul, I shall walk in the shadow by your side," he sings.

And so he does, and the more he writes, the more in love Roxane becomes - with Christian. So much so, that she arranges to marry him after the great balcony" scene of the second act in which Cyrano gives the words to Christian which drive her to distraction. The quintet in this scene is one of the more memorable musical experiences of the opera. DeGuiche, a powerful count, who would have preferred Roxane marry someone else of his choice, sends Christian and Cyrano with their regiment to battle.

At the front Christian is dying, but Cyrano continues to write his letters daily, risking his life to deliver them. Roxane finds her way to the battlefield where Christian dies in her arms.

The last scene, which takes place 14 years later, finds Roxane in a convent, ever nourishing her love for Christian, and being visited by Cyrano regularly. When she produces the last letter written by Christian, which she gives to Cyrano, who reads it aloud through the darkening shadows, she realizes that he is the writer who has poured his soul into the correspondence, which inflamed her love. She notices blood coming from his head. Cyrano tells her that an assassin has mortally wounded him. As he dies, Roxane cries out that she has loved only one soul and lost it twice."

The beautiful Roxane is exquisitely sung by Leah Partridge. Marian Pop is a top-notch Cyrano; Christian (Jose Luis Sola), De Guiche (Peter Volpe), and Roxane's nurse (Gloria Partridge) are especially effective in their roles.

Cyrano" seems destined to become a favorite in opera theatres worldwide. It's a beautiful story with wit and wisdom, and has music that singers will enjoy singing, and audiences will like to hear sung again and again. This is a world premiere that will resound throughout the world.

Future performances are Friday, October 26 at 7:30 pm and Sunday, October 28 at 2:30 pm.

MOT's next opera production is Mozart's delightful Marriage of Figaro" (November 10-18, 2007).

Dina Soresi Winter

 

 

Last modified on:01/14/2008

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